Not only that, but to meet Swedish safety codes, Hagstrm removed the external voltage selector switch (fitted to all blackface and silverface export models) and hardwired it internally (see photos).
Notice that the original Fender back panel was removed and replaced with a Hagstrm panel.
Oddlings – Yet another printing error has surfaced, this time from the FEI (pre-CBS) days.
Besides, no article in the Dating Fender Amps by Serial Number series would be complete without some interesting information, n’est ce pas?
There is some debate about how to interpret the production code information on late ‘50s to mid-1967 tube charts and Greg Huntington is still working with those.
One thing we know for sure is that production codes can help date an amp to a particular month within a given model run.
They were something to behold, all chatting away while soldering so quickly, it didn't hardly seem like they were looking at the amps.
Working at FMI – I was able to interview a fellow (who wishes to remain anonymous) who worked at Fender in 1972-73 in the amp department.These are marked with EIA code “606” which is the company number for Schumacher.Well, this universal “truth” was debunked when we found a bunch of amps with transformers made by the Better Coil and Transformers company.Also note the vertical black lines on the control panel (found on earliest silverface amps) and the large ceramic power resistors coming off the power tube sockets which indicates the AB568 circuit. But really, these cabs were large because they were of a “special design” that “greatly improves tone and volume without distortion, and permits optimum performance of the speakers.” At least that’s the reason according to the ’69 catalog.Also, another thing I’ve never seen before is a what appears to be a shipping tag of some sort (see photo).